raid sound DOMENICO DE ROSA
Domenico De Rosa (born in Naples 18/8/79) Sound Hacher moving delineated the boundaries between not much of Micromuse, formulate a research path that favors dehydration in some parts of the sound, the other and contemplative component in some free live relaizzare improvvisazione.Oltre activity in the years various sound installations, music video and contemporary dance.
lives and works in Bologna
Angela Zurlo work in progress
The twenty-first century is the century of the restructuring, the changes of the 'urban'. These are in accordance with the organization of movement, the comparison between poverty and wealth and, under a broader view, the expansion of military violence, political and social. This is the origin of urban renewal as the yards are often witnesses and the clashes that have produced the ruins, is presiding over the reconstruction of voluntarism.
Born in 2006 in the study of Beds in-Art is now home to the documentary project Shipyards Angela Zurlo committed during the month of January, to work on what became his personal site to which all are invited to be witnesses. In the course of this series of events, hands and entire body of the artist will interact on the walls of the space-Beds of Art in You, that is not a performer, will make it visible for the first time, his actions , its technical, creative and impetus. The section, scratching and engraving, the distinctive characteristics of his personal style of painting, are the visible sign that secret background which will become the protagonist of the work itself: its creation. Many artists have never wanted to be observed or portrait work, did not want to make clear the act of creation, as in the case of Lucio Fontana, who has only simulated its cuts in front of the lens by Ugo Mulas. performative act like a song that depicts the uncertainty of what is to happen, against the evidence of our society. Angela Zurlo give us, so the opportunity to enjoy a moment of rare, delicate, ephemeral, and the evidence of the arrogance that goes beyond this.
viewed through the words of Jacques Reda, in Les Ruines de Paris, the yards are poetic spaces: one can do anything, their incompleteness contains a promise. yards that invade the city respond to a desire to expand, or the reunification of reconstruction aspects clearly found in the city of Naples. And it is the city of Naples to help us dissect the site that we may become once confronted with the devastation, all 'invasion of the disorder. In all this is embraced by a revelation, and only reality we can rebuild our thoughts in order. Naples, often leading photo service, is often represented empty, deserted, or as a ruin. These ruins become often an invitation to hear the time. Artists imagine some tragic event that will force the man to leave the world. And while these scenarios are empty and dry up Angela Zurlo fills them with new admissions, observers absent an ongoing process.
Angela Zurlo will blend well between her huge faces of dormant, it will create a very symbiotic relationship between itself and the sign, we will reveal the true torment of his work. Viviana Checchia
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Inspired by Cormac McCarthy’s 2006 novel The Road, the project uses the road as a leitmotif for a non-linear journey through the post-apocalyptic landscape. 