Can You Go Blind From Having Shingles

a video installation often contains a playful dimension, both with regard to its use that its realizazzione
, they tend to mix different disciplines: art, theater performance, sound
thus creating a new way in which questions the use of art and its change.
video installations are often difficult to describe both in words and through a photo shoot or video just because it's buildings, locations, devices that provide a direct experience, created to be lived.
in our case the installation HOME EMPTY-BODY (1) made for the happening SYSTEMATIC INVASIONS (Zungoli 2008) from the body of a dancer and his dance technique with a Japanese Butoh seems to float it, the movie on a black background dancer wearing tight yellow suit (photo n1) permsso who has to work on the first level of key color (yellow), transforming his body a stick figure in an electronical sign, with a result very dreamlike amplified by the use of electronic sounds evocative of remote environments (photo n2), a second key of color applied to the background on which the dancer moves (Black) allows us very effective to create an inlay of 'image in the position where we wanted to project it (photo n3).
the same kind of technique of inlay is manufactured for performance REMAINS IN CUBE in this case ' inlay of videos made in key color is superimposed with a double source of projection (photo n4) creating a more enjoyable by audiovisual paritura 'sides (photo n5)
, in both cases of synesthetic experiences (simultaneous combination of more' sensory perceptions ) or transensoriali which include ways to make art projects and dreams long before the birth of the video regarding the origins of visual effects.

VALERIA BORRELLI

(1) THE HOUSE AS EMPTY
an abandoned space BODY
the time production of images and sounds
images through the transparent windows - eyes

sounds of a lost time from the doors - Home ears and empty body as' lived

something can 'happen.